readergirlz is a literacy and social media project for teens, awarded the National Book Foundation's Innovations in Reading Prize. The rgz blog serves as a depot for news and YA reviews from industry professionals and teens. As volunteers return full force to their own YA writing, the organization continues to hold one initiative a year to impact teen literacy. All are welcome to "like" us on Facebook!

Wednesday, May 13, 2009

Sara Easterly on Writing a Graphic Novel, Part 3

This week we have author, readergirlz PR specialist, and former SCBWI WWA co-Regional Advisor Sara Easterly guest-blogging about the process of writing a graphic novel and working with her illustrator co-hort, Jaime Temairik. Today we have Wordplay for the Graphic Novelist. (All illustrations are copyright Jaime Temairik!) Welcome, Sara!


With any writing, every word counts. But with a graphic novel, every word really counts! I didn’t realize until trying my hand at the process just how teensy each of those speech balloons is. Naturally long-winded, it’s a real challenge for me to remember that each panel is like a billboard, where I’ve got a max of about 8 words to use—and sometimes that’s pushing it! In fact, some of the best graphic novels are completely barren of words, such as Robot Dreams by Sara Varon (First Second).

While I’ve never written a screenplay, I imagine the script looks somewhat the same—heavy on the dialogue. It’s tricky to look for ways to balance that out. But it’s the fun part, too! That’s where sound effects come in. BRRRAM! YOWWSA! And then there are thought balloons and narrative captions—setting or plot-advancing tools. The writer can also indicate entire panels, pages, or spreads where the plot advances only by the visuals. It’s liberating to learn to think that way.


This will be a five-part series all this week on the why's of writing a graphic novel, illustrator collaboration, graphic wordplay, turning to the experts, and where to start. Tomorrow: Turning to the experts!



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