rgz

readergirlz is a literacy and social media project for teens, awarded the National Book Foundation's Innovations in Reading Prize. The rgz blog serves as a depot for news and YA reviews from industry professionals and teens. As volunteers return full force to their own YA writing, the organization continues to hold one initiative a year to impact teen literacy. All are welcome to "like" us on Facebook!

Showing posts with label November 2009. Show all posts
Showing posts with label November 2009. Show all posts

Monday, November 30, 2009

Thank You, Marlene Carvell!


Here's a big DANKE to the incredible Marlene Carvell for joining us at readergirlz this month!

We loved hearing stories from Marlene and learning about her awesome feminist side and hearing her strong voice for those who need their stories to be told.

We've so enjoyed having you here this month. Thank you, Marlene!

Friday, November 27, 2009

Tuesday, November 24, 2009

rgz LIVE! with Marlene Carvell

Join us for a rgz LIVE! chat with Marlene Carvell, author of the poignant and lovely verse novel, Sweetgrass Basket. The chat will go live at the top of the hour. Celebrate Native American Heritage Month with rgz!

















Monday, November 23, 2009

rgz LIVE! chat with Marelene Carvell: tomorrow night!

Don't forget the upcoming chat with SWEETGRASS BASKET author Marlene Carvell, tomorrow night at the readergirlz blog!



See you there!

November: Betrayed by a Friend

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In Sweetgrass Basket, Mattie feels betrayed by her friend Gracie, yet she understands Gracie is not as strong-willed as she is. Have you ever felt betrayed by a friend? Were you able to forgive that person?

Friday, November 20, 2009

November: Friendship Invaded

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Friendship plays an important role in the story, but Mattie's friendship with Gracie causes jealousy in Sara. Have you ever found yourself frustrated or angry because a friendship seemed to be invaded by someone else?

Wednesday, November 18, 2009

HipWriterMama interviews Cynthia Leitich Smith

HipWriterMama, one of our fabulous postergirlz, interviewed author Cynthia Leitich Smith as part of the Winter Blog Blast Tour. Cynthia is the author of Rain Is Not My Indian Name, one of the recommended reads in this month's issue of readergirlz. Here's an excerpt of their interview:

HWM: November is all about celebrating Native American Heritage Month over at readergirlz. I was shocked how difficult it was to find good books, that treated Native Indians with respect, rather than as a stereotype. Why do you think this is the case, even in 2009?

Cynthia Leitich Smith: Big question. It’s a combination of reasons.

The first is that many folks in the United States—including some in youth literature--are still in an active state of denial (or ignorance) about the nation’s history with regard to Native people and our reality today. Especially the former is painful—after all, we’re talking about child abuse, rape, land theft, and genocidal efforts.

Perhaps because of misplaced ancestral guilt, it’s easier for some to believe that we all had a great time together at the first Thanksgiving and then Native people either (a) became savage warriors who had to be exterminated or (b) mysteriously died out through no one’s fault.

Certainly, that’s—to a significant degree—what’s still taught in American schools.

Of course there are some terrific teachers and school librarians trying to counteract this, but possibly the majority of Americans are carrying false information about Indians, delivered by our educational system itself.

I’ve had my share of school visits where the very young students had already been taught that Native people were either scary or extinct or both—taught not only at school and through books but also from other media and influential adults.

Grandma says, “My, aren’t you the savage little Indian!” (I overheard this in a bookstore, said to a young child who was misbehaving.).

To further complicate matters, a significant number of people who think of themselves as open-minded tend to equate “Native American” with either (a) supernatural, super-ecological largely inhuman creatures or (b) a tragic, defeated and dying people whose glories (and achievements) exist only in the misty past.

It’s a mess.

That’s the big-picture challenge.

Extend that to books, and often you’re looking at authors (a) who’ve been raised in that mainstream (sometimes contradictory) belief system, (b) who honestly don’t begin to realize how off-base many/most of their assumptions are, (c) who’re consulting “original” resources drafted by enemies of Native people, and (d) are trying to connect with a mainstream audience that shares many of their same biases. You get the idea.

It’s entirely possible to write across race successfully. I do it, and I have no intention of stopping. Miranda, the protagonist from ETERNAL (Candlewick, 2007) is Asian (Chinese), and I’m not. Kieren, the protagonist from TANTALIZE: KIEREN’S STORY (Candlewick, 2011) is Mexican American, and I’m not. And I fully realize that we’re humans. We all make mistakes.

But in writing cross-culturally about Native people, it’s critical for non-Indians to begin as if they know absolutely nothing, take a significant amount of time to acquaint themselves with the truth, and proceed in a patient, open-hearted, and respectful manner. It can be done. I’ve had friends and students and colleagues who’ve done it. But you have to stretch, perhaps more than you might realize at the beginning.

That said, writers are only a part of the equation. For the reasons I mentioned above, readers—including gatekeepers—may be more likely to find that an inaccurate book that embraces popular stereotypes rings “true” to them than one that reflects Native realities.

For example, over the years I’ve had several readers mention—some in a questioning way—my inclusion of Native characters with a higher education in my books. Cousin Elizabeth from JINGLE DANCER is an attorney. Aunt Georgia from RAIN IS NOT MY INDIAN NAME (HarperCollins, 2001) is a retired school teacher and a science teacher at that.

The final big reason is numbers and interest level. Native people are 1.5 percent of the population. As I mentioned, there are certainly writers who succeed in writing cross-culturally about American Indians, but when it comes to writers from within the communities, the pool is small. We need to nurture interest and aptitude where we find it.

Likewise, our numbers of Native teachers, librarians, reviewers, editors, agents, marketing people, and bloggers are small and in some cases non-existent or at least statistically non-existent.

We need more friends, more loud mouths who advocate for quality Native voices and visions and well-executed cross-cultural additions to the body of youth literature.

Read the full interview at HipWriterMama's blog.

November: Saturday is National Family Volunteer Day!




In Marlene Carvell's Sweetgrass Basket, Mattie and Sarah long for family. The two sisters would probably agree with Alex Haley, who said, "In every conceivable manner, the family is link to our past, bridge to our future."

Link with your family on Saturday, November 21st for National Family Volunteer Day. Volunteering as a family is the perfect way to spend quality time with your loved ones while doing meaningful work in your community.

Visit http://www.serve.gov for a searchable database of volunteering opportunities near you and encourage the whole fam to get out and make a difference!


Tuesday, November 17, 2009

November: Innocent and Accused

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A major point in the plot of Sweetgrass Basket occurs when Mattie is falsely accused of stealing. Have you (or someone you know) ever been accused of doing something you didn't do? Would you (or did you) handle the situation differently?

Sunday, November 15, 2009

NativeWiki

When I looked up Lee Francis, the author of this month's non-fiction recommended read, Native Time: A Historical Time Line of Native America, I discovered NativeWiki. In their own words:

NativeWiki is a free, open-to-the-public library of information about indigenous nations and peoples (past and present) of the world. We feature major sections on Nations and Peoples, Documents and Materials, Geographic Regions and a Picture Gallery of selected images. Begun in April, 2007, we currently have 1,309 content pages, 1,177 media files, and 2,305 registered contributors. Watch and help us grow!

To learn more, visit http://www.nativewiki.org

Friday, November 13, 2009

November: Are you like your sister or not?

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Despite being sisters and having the same life experiences, Sarah and Mattie have very different personalities. Do you have a sister, and are you alike?

Are you more outspoken like Mattie or quiet and reserved like Sarah?

Wednesday, November 11, 2009

November: Sweetgrass Basket Roundtable

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Listen in as a couple divas and postergirlz chat about this month's pick. Drop your impressions in the comments, and keep the chatter going. Thanks for the roundup, Little Willow!

Readergirlz Roundtable: Sweetgrass Basket by Marlene Carvell

Lorie Ann Grover: I'm very proud that rgz is celebrating Native American Heritage Month! Many thanks to Cynthia Leitich Smith for drawing our attention to this wonderful celebration. I recently had a delightful time meeting with the staff of the American Indian Library Association at the Summer ALA Conference. And rgz is currently working hand in hand with If I Can Read I Can Do Anything, a national reading club for Native American children. They are our partners for TBD 2010! More about that soon. Now, we give our thanks to Marlene Carvell for this beautiful literary contribution, Sweetgrass Basket!

Little Willow: Ladies, welcome to the roundtable for Sweetgrass Basket, the story of two sisters who, despite their different personalities and perceptions, share a very strong bond. I'm here with fellow postergirl Shelf Elf and readergirlz co-founders Dia Calhoun and Lorie Ann Grover. Are you ladies similar to either of the main characters, Mattie or Sarah?

Dia Calhoun: I certainly have elements of both sisters, the shy Sarah and the more bold Mattie. When I was Mattie's age I was more like Mattie--wanted to confront the whole world, couldn't bear injustice. Once, when a teacher of mine was picking on another girl, I raised my hand and said, "why do you always pick on Renee?" The teacher was furious--she had always liked me. She said, "You'd better be careful or you'll be in the same boat!" Can you believe that? There are people like Mrs. Dwyer in this world.

Shelf Elf: Brave little Dia! Wow. That took guts. As you say, it's hard to believe that the world has real Mrs. Dwyers.

Little Willow: Go Dia! I too have always spoken up when I feel as if something is wrong, or someone is being treated unjusticely. I'm very outgoing and outspoken, like Mattie.

Lorie Ann: As a child, I was shy like Sarah, but I had my Mattie moments, too! I can't go into the details (EEK!) but I stood up to two adults and told them exactly what I thought and what they should do. Chaos resulted! Oh, and there was the time my teacher put up a poster that I thought was risque. So I made paper clothes to cover the model and reported the teacher to the principal. The poster came down. Maybe I'm more Mattie than I realize...

Shelf Elf: As a child, I was more like Sarah, I think. I might have perceived wrong doing, but I would have been frightened to speak my mind. The grown-up Shelf Elf is a lot more like Mattie. I won't keep my opinions to myself in a situation where something unjust is taking place.

Little Willow: I just realized that nearly all of today's roundtable participants have sisters. My sister and I were very close growing up, even though eleven years separate us. I'm the younger - and louder! - of the two. Is your relationship with any of your siblings similar to Mattie and Sarah's relationship?

Dia: My sister and I have a different sort of relationship than Mattie and Sarah had. We were never so close growing up. We are close now, though, as adults.

Shelf Elf: Both my sister and I were quiet kids, especially in the face of someone overbearing or mean. Today, we're both way more opinionated. I think that has brought us closer as adults. I like to think that even though we weren't especially close as children, if we had been forced into a situation like Mattie and Sarah, I think we would have drawn together for comfort.

Lorie Ann: I'm the one without sisters! Of course I have my rgz. They snug up around me with support constantly. I love how Marlene portrayed Mattie and Sarah's relationship. So much was really internal. They stood next to each other, but they communicated verbally in a limited way. We were just privy to their thoughts, so we know what they were truly feeling. And of course their actions were telling. Like how Sarah brought the basket for Mattie. My brothers have stood beside me in the same way. Sometimes a multitude of words aren't necessary.

Little Willow: I am by no means a world traveler, but each of you has gone abroad to study, work, travel, or live for an extended time. Have any of you lived in a place where the dominant language and culture were not your own? How did you feel when you first arrived?

Dia: I did travel to Europe right out of college--what a shock that was. Nothing had prepared me for the cultural differences, the language differences, the inability to communicate, the uncertainty of never knowing where I was going to sleep at night in a strange country. I can say that I loathed it. I couldn't wait to get home. I simply wasn't properly prepared for the experience. Now, I would love to go back, but I would have a very careful itinerary planned out so that I wasn't running through dark city parks in London at midnight only to find the hostel closed for the season. Yikes!

Shelf Elf: I've traveled to places where the language was not my own. At first, I feel this general sense of anxiety, constantly aware that I'm different and in a way, vulnerable. It usually has to do with the fact that I can't ask for what I want or need (I'm always worried about the next meal!) After a while, once I've experienced a little generosity from residents, I feel a bit better, but still very dependent on the kindness and patience of others.

Lorie Ann: Oh, yes! My first year of marriage was in Korea. However, there I could find an English speaking community. Whenever I ventured out though, I felt extremely isolated. Puerto Rico was the same. There the church I attended was conducted in Spanish. I felt so lost when everyone else was connected in such a vital way. All the children in Sweetgrass Basket had my heart.

Little Willow: How did your worldview change while you were there? What realizations did you have when you came back home?

Shelf Elf: When I come back home from my travels, I often have a sense of being pretty small, in the grand scheme. I don't find that a bad thing. In a way, it's sort of reassuring, the idea that there's so much out there other than me, that matters. It makes me less self-absorbed and takes me out of myself. I like that.

Dia: My greatest cultural shock came during a visit to Hong Kong. There, unlike Europe, I actually LOOKED different from everyone else. And I was taller, too. It gave me empathy for what minorities experience in this country.

Lorie Ann: I came back appreciative, more communicative, and more understanding of others making their new home here.

Little Willow: The title, Sweetgrass Basket, refers to a beautiful basket woven by the girls' mother. Do you have any precious handcrafted mementos from your parents or siblings?

Shelf Elf: My husband designed a necklace for me soon after we had just met. It was meant to show a harp string, and the way that it vibrates. At the time I was studying the harp and it was a huge part of my life. It meant a lot to have something completely unique from him.

Little Willow: Oh, how lovely!

Dia: I have a beautiful bit of tatted lace from my grandmother that I treasure. In fact this lace, and its origin, was an inspiration for the current book I am writing.

Lorie Ann: My house is full of possessions of my relatives. But I suppose it would be the quilts. Those have pieces of my great grandparent's and grandparent's clothes stitched into them.

Little Willow: While reading this book, what other books came to mind?

Dia: I thought of Jane Eyre in her early days at the boarding school, with the cruel teachers.

Shelf Elf: I thought of Someone Named Eva by Joan M. Wolf, about the Lebensborn centers in Nazi Germany. The main character in that novel is a girl who is forced to assimilate into a culture different from her own.

Lorie Ann: I thought of Charles Dickens' Oliver. But the movie that came to mind was Rabbit-Proof Fence from 2002. Oh, everyone must see it! Like Sweetgrass Basket, it's based on truth and rings with warning and the resilience of the human spirit! Go watch it!

Little Willow: What did you learn from Sweetgrass Basket?

Dia: I learned, on a deep gut level, how horrible it is to be uprooted as a child from one's home and culture, and thrown into the midst of a group of unkind people who hold very great power over you. And yet, there is always, somewhere, a speck of kindness. Even in Mattie and Sarah's story.

Shelf Elf: It's not exactly something I learned solely through the book, more that it was reinforced by this story: a child's courage and risk-taking in a desperate situation is all the more amazing because a child is nearly always vulnerable.

Lorie Ann: I had never read a novel which unveiled the practice of assimilating Native Americans into boarding schools where their culture was stripped away. It was painful and saddening.

Dia: Did you think Sarah's final act of destroying Mrs. Dwyer's brooch a heroic act? Sarah was so timid that for her to do this was huge in her character arc. At first I was disappointed that she didn't have the others witness her destroying the brooch. But after I thought about it awhile, I saw that was more something that Mattie would have done. For Sarah, it was enough of a triumph and change that she simply destroyed the brooch on her own. She broke out of her mold and fear of being good.

Shelf Elf: Absolutely. I thought it was also very true to her character that she did it without anyone knowing about it. The act was for her and her sister, and so she didn't need to show the world her choice.

Lorie Ann: Yes, Shelf Elf! It reminds of the scene in Titanic, when Rose drops the necklace into the sea. And no one knows...

Dia: I wondered how Mr. Davis knew the sweetgrass basket belonged to Mattie. Maybe I missed that part?

Little Willow: Ooh, I wonder . . .

Lorie Ann: I think Mr. Davis knew everything going on. Thankfully. A sweet soul in the midst of trial: let's be thankful for those souls!

Little Willow: Yes, indeed.

Lorie Ann: Thanks again, Marlene, for such a beautiful composition of truth and beauty. Now, let's chat together through Native American Heritage Month!

Tuesday, November 10, 2009

November: postergirlz recommended reads

Catch these recommended reads for November from our postergirlz. Thanks, ladies!

Celebrate Native American Heritage Month!


Fiction
Moccasin Thunder: American Indian Stories for Today, an anthology edited by Lori Marie Carlson
Rain is Not My Indian Name by Cynthia Leitich Smith
Who Will Tell My Brother? by Marlene Carvell
The Absolutely True Story of a Part-Time Indian by Sherman Alexie

Non-Fiction
Native Time: A Historical Time Line of Native America by Lee Francis

My website

November: Marlene's Second Post of Awesome

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Marlene is just knocking these out of the ballpark! Wanted to make sure you caught this response to being told girls can't. Here you go:

Unfortunately I’ve had way too many experiences with this issue, although as a young woman during the feminist movement of the 1960s and 70s, I learned quickly to assert myself. It may be hard to believe, but as a female high school teacher in 1971, I was expected to dress appropriately for the classroom, which meant a dress or skirt but NO slacks. This was ridiculous (especially when I look back at some of the mini skirts I wore – yikes!). So one day I wore slacks and in the middle of class, one of my junior boys raised his hand and asked if it was okay for teachers to wear slacks. I told him we’d find out, wouldn’t we? Well, there was lots of buzz but nothing official was said to me and two days later, half the female teaching staff wore slacks.

Sometimes people don’t even realize that they are promoting limitations. When I graduated from high school, the expectation largely was that I would move on to become a secretary, a nurse, or a teacher, and that would be only until I got married. Well, I have three older sisters: 1 was a secretary, 1 was a nurse, 1 studied to be a teacher. So what was left for me? (I wanted to be a writer but I didn’t even dare verbalize that dream.) Well, to make a long story short, I did become a teacher, but the irony was that when I told my father I was getting married, his major concern was that I would still finish my college education. This may seem insignificant today but in 1969, his position had changed 180 degrees from three years earlier when he was a man who wasn’t sure going to college was important for his daughters.

As a teacher in a public high school and a private college, I witnessed many situations where girls were denied opportunities, especially in extracurricular activities and sports. (I even overheard coaches telling their male team members that they played like a bunch of girls. Ouch!) I feel very fortunate, however, to have also seen the changes that have taken place, and by the time I retired, girls were receiving equal opportunity both in and out of the classroom. I also felt blessed that my sons grew up in an environment where having a girl for a friend did not mean she had to be a girlfriend and understanding that there is no such thing as men’s work and women’s work. (My husband won’t let me do the laundry. Cool eh?)

My website

Monday, November 9, 2009

November: Girls Can't What?

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Young women of the early 1900s had few career options compared to young women of today. However, Indian women had even fewer opportunities: most in the boarding schools were trained to be servants, like in Sweetgrass Basket. Has anyone ever told you or implied to you that you couldn't do something because you were a girl?



Friday, November 6, 2009

November: Homesickness

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In Sweetgrass Basket, Sarah is overwhelmed with homesickness. Have you ever been homesick? How did you deal with it?

Wednesday, November 4, 2009

November: Things to Know about Marlene Carvell

Marlene Carvell is spending the whole month with us at readergirlz, and here are a few things we know about her already (can't wait to find out more!)...

On the nightstand: Quicksilver (Book One of Neal Stephenson's Trilogy)

Place to write: At a computer in the study in my home in the town by the stream near the woods on a hill . . .

Cure for writer's block: While my husband often has to listen to me think out loud on long walks, real stumbling blocks have generally been hurdled over pizza and beer at a couple favorite locations.

Favorite outfit: My closets and dressers look like I have a split personality. Jeans and tank tops or sweatshirts for most days and a closet full of glittery dance dresses for those nights out at ballroom/Latin dance venues.

Stilettos or Uggs? Neither. Sneakers and sandals, plus low-heeled, sequined pumps to go with those glittery dance dresses.

Next up: Two novels are currently in the hands of my agent and/or my publisher, one where the protagonist is the older brother of the two girls in Sweetgrass Basket, and the other where a teenage girl who lives in a foster home thinks she hates everybody and everything.

Well! Glittery dresses and jeans, long walks and pizza and a stream near the woods... sounds like our kind of writer. Thanks for joining us this month, Marlene!


Tuesday, November 3, 2009

November: Heritage and Ethnicity

Marlene says, "Sarah and Mattie's ability to preserve their Mohawk heritage is threatened as soon as they arrive at the school. Does family heritage/ethnicity play a strong role in your sense of identity? How so?"


November: Recommended Read, Cynthia Leitich Smith

And now, a guest post from Cynthia Leitich Smith:

As the author of one of this month's suggested reads, Rain Is Not My Indian Name, I thought I'd discuss a question I struggled with in writing the novel: how should I weigh the need to convey a contemporary setting with the risk of dating the book too quickly?

Because so many images of Native people in books are historical, I wove a few pop culture references - mostly related to science fiction - into Rain's narrative to give the book a fairly “now” feeling. However, I selected and framed these tidbits carefully.

For example, I planted into Rain's character that she is a lover of science fiction -- recent and classic. That way, she would be as likely to mention “The X-Files” if we were to assume the story is set in the year 2001 as she would be to mention “The X-Files” if we were to assume the story is set in, say, the year 2010. This particularly holds true because the sci-fi fan base as a whole tends to have strong memories and long-standing loyalties.

Likewise, I refer to the "Bat Out Of Hell" albums by the band Meatloaf, a favorite of Rain's brother Fynn, as "vintage." So, from the first time the reader sees the reference, she knows that this is not meant as a time marker to indicate when the story is set but rather a "historic" reference.

(It did, however, require some conversation with my editor to establish that albums of both the 1970s and the 1980s would be considered vintage to today's teen readers; and on a personal level, we were both amused to find that a bit distressing).

In this way, there is a general early 21st century feel to the story.

Do you think that making Rain a science fiction fan was an effective way for me to weave in pop culture tie-ins without dating the book too quickly? Why or why not?

Also, do you believe that dating the book really matters? Does it bother you to read a book written for a contemporary audience that has a few tie-ins that seem a couple of years old? Or do you just assume that the story is a near history, set a couple of years ago, and go ahead with reading the story? Why or why not?

- Cynthia Leitich Smith

* Note: Cynthia's short story entitled "A Real Live Blond Cherokee and His Equally Annoyed Soul Mate" appears in Moccasin Thunder: American Indian Stories for Today, edited by Lori Marie Carlson, which is another of this month's recommended reads.

Feel free to leave your thoughts or blog links in the comments below, rgz!

Related Posts:
Lorie Ann Grover's thoughts on pop culture in contemporary novels at On Point
Timestamps: Books Getting Dated (or Not) by Pop Culture References by Little Willow at Bildungsroman

Monday, November 2, 2009

November: Marlene's Post of Awesome

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Marlene kicked the month off with this great comment. It's too good to miss, so I'm adding it here as well. Thanks, Marlene!

Hi, everyone.
Thank you, readergirlz, for asking me to be part of this adventure. Encouraging a discussion of the role of young women in life and literature, both historically and in today’s world, is just my cup of tea. With 33 years of teaching experience, some of them at an all girls’ college (yes, I’m that old), I’ve had much opportunity to observe, interact with, and counsel young women. And the changes! Wow! Can you imagine that when I was about twenty-five years old and living in Texas, I was known to my doctor only as Mrs. Gerald Carvell. And five years before that when I became a married woman, I went to a local department store (in New York) to change my name on a charge account and watched as my card was destroyed and then told my husband had to reapply for me.

While conflicts in Sweetgrass Basket are primarily a result of heritage and not necessarily gender-based, Mattie and Sarah’s problems were certainly magnified by being female; they were expected to be submissive, not just because they were those “inferior” Indian children but also because they were young girls . . . and girls in the early 1900s, of any race, were subjected to pressures and expectations that limited their opportunities for personal growth.

So, hopefully we will have an interesting exchange of thoughts and observations. I am traveling this month but I promise I will check in regularly. Let the discussion begin! ~Marlene

My website