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readergirlz is a literacy and social media project for teens, awarded the National Book Foundation's Innovations in Reading Prize. The rgz blog serves as a depot for news and YA reviews from industry professionals and teens. As volunteers return full force to their own YA writing, the organization continues to hold one initiative a year to impact teen literacy. All are welcome to "like" us on Facebook!

Showing posts with label zetta elliott. Show all posts
Showing posts with label zetta elliott. Show all posts

Thursday, March 11, 2010

Cover Stories: A Wish After Midnight by Zetta Elliott

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Zetta Elliott is here today to talk about the covers for A Wish After Midnight. Zetta self-published the book at first, and then it was picked up by AmazoneEncore for traditional publishing! Lyn Miller-Lachmann wrote a beautiful review of Zetta's book for Readergirlz Salon, so check that out.

Here's Zetta:

"My story's a little unusual because I first wrote AWAM in 2003, and at that time I had no idea whatsoever what I wanted the cover to look like. I was just happy to have finished, and I was sending out query letters to agents and editors. Five years later, after endless rejections, I heard about Lulu.com through a friend and decided to give my book its own life in the world.
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My award-winning picture book, Bird, was coming out in the fall of 2008, and so I hustled to get AWAM ready for release at the same time.

"Shadra Strickland, who went on to win two major awards for illustrating Bird, agreed to design the cover for AWAM. I gave her the elements I wanted to include, selected a color, and she produced a cover design I absolutely loved (below left). I really wanted my main character, Genna, to be represented accurately--in popular culture, you don't often see dark-skinned black girls celebrated and/or placed front and center. So I bought a stock photo, photo-shopped it to make the girl's skin tone correct, and then Shadra skillfully combined the sankofa symbol and my photo-shopped picture of the fountain in the Brooklyn Botanic Garden.

[Here are the old and the new covers, side by side:]

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"I wasn't asked for input, but in our early negotiations, my editor made a point of saying that the AmazonEncore edition would have a cover that far outshone the one on my self-published book. I didn't quite appreciate that remark at the time, because I loved my cover!"

Read the rest of Zetta's Cover Story on melissacwalker.com.




Wednesday, March 10, 2010

Rgz Salon: A Wish After Midnight by Zetta Elliott, reviewed by Lyn Miller-Lachmann


Rgz SALON member Lyn Miller-Lachmann is the Editor-in-Chief of MultiCultural Review; the author of the award-winning multicultural bibliography Our Family, Our Friends, Our World; the editor of Once Upon a Cuento, a collection of short stories by Latino authors; and most recently, the author of Gringolandia, a young adult novel about a refugee family living with the aftermath of the Pinochet dictatorship in Chile. (Read the fascinating Cover Story for Gringolandia.)

We're honored to have her here as part of the rgz SALON, a feature where four of the top kidlit experts clue us in to the best YA novels they've read recently. Today, Lyn reviews A Wish After Midnight by Zetta Elliott (Las Vegas: AmazonEncore, 2010), one of the first books chosen for AmazonEncore publishing!

"Elliott, author of the award-winning Bird (Lee & Low, 2008), tried for years to find a publisher for this young adult novel and ultimately decided to self-publish it in spring 2009. Most established review sources do not review self-published titles, and most libraries will not acquire them, but several prominent reviewers and librarians gave Elliott’s new book a chance.

"I was among them. The premise of A Wish After Midnight intrigued me, the experience of a young black woman, dissatisfied with her life, who travels back in time and learns about herself and her roots, much in the same vein as Octavia Butler’s classic novel, Kindred (1979). And many years ago, when I self-published my first teen novel, Hiding Places (1987), a number of reviewers and YA librarians gave me a chance. I was invited to offer workshops in inner-city schools as a result of Hiding Places’s success, and those workshops ultimately led me to become a commentator on and advocate for multicultural literature.

"Nonetheless, a chance isn’t the same as an unconditional embrace. A Wish After Midnight had to prove itself worthy, not only meeting the standards of a traditionally published novel but also demonstrating the kind of uniqueness that would explain traditional publishers’ reluctance to take it on. Elliott’s novel exceeded my expectations on both counts, and for that reason I chose to review it for MultiCultural Review and also to give it a cover feature. Several major book blogs also championed Wish, and AmazonEncore selected it for its debut list of novels that had achieved acclaim as self-published titles.

"The new edition of Wish has a striking redesigned cover, above (though I also liked the original pink-and-gray cover designed by Bird’s illustrator, Shadra Strickland, left), went through a round of copyediting, and picked up a discussion/study guide, but it is essentially the same as the original. The main character is 15-year-old Genna Colon, the daughter of an African-American mother and a Panamanian father who abandoned the family to return to his country. The third of four children, Genna wants to live in a nice house rather than a tenement, she wants her older brother and sister to set better examples for her, and she wants to keep her baby half-brother, Tyjuan, from following in their footsteps. She enjoys taking Tyjuan to the Brooklyn Botanic Garden in his stroller. There, she meets Hannah, a white woman who hires her as a babysitter and gives her books, and Judah, a Jamaican-American teen with dreadlocks and a devotion to the music and philosophy of Bob Marley.

"A fight with her mother and older siblings drives Genna to the Botanic Garden in the middle of the night, and from there she is transported to the same spot in 1863. She wakes up battered, suspected of being a runaway slave. In a parallel to Genna’s relationship with Hannah, kindly Dr. Brant takes an interest in her and offers her a position as a housekeeper, but this modern-day teenager chafes under his wife’s bigotry and emotional instability. Genna meets biracial Paul, who protects her from a racist gang, and the two are attracted to each other, but then Judah turns up in this past world as an escaped slave seeking to move—with her—to Africa as part of the American Colonization Society. Soon, the violence of the Draft Riots spreads to the other side of the river, threatening Genna, Judah, Paul, and even the Brants.

"Conflict, action, romance, and a vividly drawn setting—Wish has them all! Elliott takes her time to establish Genna’s personality and the conflicts in her life before transporting her to the past, a wise decision because readers grow close to her and care about how her journey to her roots will change her—if she survives. Fans of history and philosophy can debate what we know in hindsight and how our world may have turned out differently had people then made different choices. And students of literature can trace the parallels to Kindred, knowing that Elliott’s work draws from the great writers who have come before her."

How intriguing does that sound? Thanks, Lyn!

UPDATE: Check out the Cover Story for this book.